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shinyslingback:

In my End is my Beginning

Dimensions 40” x 29” x 4”  
 
Lightbox mounted threadless embroidery 2011

Using manipulated lace patterns, formalised through alchemical symbolism this series attempts to illustrate a a temporary moment of continuity; a state George Baitialle believed could only be experienced in death or through sexual climax.
 
A triptych of embroideries sewn without thread, and mounted onto a light source allowing the pin holes which would normally be concealed to become filled with light exposing the sharply punctured surface and creating an almost cosmic surface.

(via wowgreat)

wowgreat:

High Solar Activity (by flight404)

wowgreat:

High Solar Activity (by flight404)

wowgreat:

Montblanc Mesh (by onformative)

wowgreat:

Montblanc Mesh (by onformative)

wowgreat:

Montblanc Mesh (by onformative)

wowgreat:

Montblanc Mesh (by onformative)

wowgreat:

Mounir Fatmi: Modern Times, A History of the Machine, 2009- 2010 video still, 15 min. Click on image to enlarge. (via Mounir Fatmi - Oriental Accident | likeyou - the artnetwork)

wowgreat:

Mounir Fatmi: Modern Times, A History of the Machine, 2009- 2010 video still, 15 min. Click on image to enlarge. (via Mounir Fatmi - Oriental Accident | likeyou - the artnetwork)

wowgreat:

Ann Hamilton. “book weight bb (human carriage),” 2009. Archival inkjet print. Image: 58 ½ x 42 inches; sheet: 60 ½ x 44 inches. Edition of 10, published by Carl Solway Gallery, Cincinnati. Image courtesy Carl Solway Gallery, Cincinnati. (via Ink | Full Circle: Ann Hamilton’s Recent Editions | Art21 Blog)

wowgreat:

Ann Hamilton. “book weight bb (human carriage),” 2009. Archival inkjet print. Image: 58 ½ x 42 inches; sheet: 60 ½ x 44 inches. Edition of 10, published by Carl Solway Gallery, Cincinnati. Image courtesy Carl Solway Gallery, Cincinnati. (via Ink | Full Circle: Ann Hamilton’s Recent Editions | Art21 Blog)

shinyslingback:

In my End is my Beginning

Dimensions 40” x 29” x 4”  
 
Lightbox mounted threadless embroidery 2011

Using manipulated lace patterns, formalised through alchemical symbolism this series attempts to illustrate a a temporary moment of continuity; a state George Baitialle believed could only be experienced in death or through sexual climax.
 
A triptych of embroideries sewn without thread, and mounted onto a light source allowing the pin holes which would normally be concealed to become filled with light exposing the sharply punctured surface and creating an almost cosmic surface.

(via wowgreat)

timolvo:

Studio Kxx
(via andren)

timolvo:

Studio Kxx

(via andren)

(via thirstyear)

(Source: andrewharlow, via thirstyear)

(Source: youth-pass, via thirstyear)

wowgreat:

High Solar Activity (by flight404)

wowgreat:

High Solar Activity (by flight404)

wowgreat:

Sol LeWitt

wowgreat:

Sol LeWitt

wowgreat:


Apfelbaum mit Blüte
von Piet Mondrian

wowgreat:

Apfelbaum mit Blüte

von Piet Mondrian

wowgreat:

Montblanc Mesh (by onformative)

wowgreat:

Montblanc Mesh (by onformative)

wowgreat:

Montblanc Mesh (by onformative)

wowgreat:

Montblanc Mesh (by onformative)

wowgreat:

Mounir Fatmi: Modern Times, A History of the Machine, 2009- 2010 video still, 15 min. Click on image to enlarge. (via Mounir Fatmi - Oriental Accident | likeyou - the artnetwork)

wowgreat:

Mounir Fatmi: Modern Times, A History of the Machine, 2009- 2010 video still, 15 min. Click on image to enlarge. (via Mounir Fatmi - Oriental Accident | likeyou - the artnetwork)

rerylikes:

Mowgli Omari | mowgliomari - ≡ XV
wowgreat:

Ann Hamilton. “book weight bb (human carriage),” 2009. Archival inkjet print. Image: 58 ½ x 42 inches; sheet: 60 ½ x 44 inches. Edition of 10, published by Carl Solway Gallery, Cincinnati. Image courtesy Carl Solway Gallery, Cincinnati. (via Ink | Full Circle: Ann Hamilton’s Recent Editions | Art21 Blog)

wowgreat:

Ann Hamilton. “book weight bb (human carriage),” 2009. Archival inkjet print. Image: 58 ½ x 42 inches; sheet: 60 ½ x 44 inches. Edition of 10, published by Carl Solway Gallery, Cincinnati. Image courtesy Carl Solway Gallery, Cincinnati. (via Ink | Full Circle: Ann Hamilton’s Recent Editions | Art21 Blog)

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